BMW Group Sales Rise on Mini, M, and Electric Gains Despite Core Brand Dip

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How a Legendary Car Designer Transformed a Classic Ford Transit Into the Ultimate Camper Van

How a Legendary Car Designer Transformed a Classic Ford Transit Into the Ultimate Camper...

eBay Lounge Exploded View 1 Matt Howell
All the parts for the restoration were sourced from eBay sellers
Peter Stevens is all about the camper van life – and his Mk1 Transit is quite the machine

Car designer Peter Stevens, famed for the McLaren F1, is revealing the inspiration behind one of his latest projects: “I was working away from home in Coventry and staying in a very basic hotel.

"There wasn’t even a chair in my room. So, one evening, I’m sitting on my bed eating a takeaway and feeling quite depressed when I thought: I know, I’ll buy a camper van with all mod cons, park it in the car park of the firm I’m working at and sleep in that instead!”

We’ve all got to kip somewhere, of course, but Stevens – the designer of all-time classics including the F1, Jaguar XJR-15, Lotus Elan ‘M100’, Lotus ‘X180’ Esprit and the 1999 Le Mans-winning BMW V12 LMR – putting his head down in a client’s car park?

“There are some people who like being designers and some who like designing,” he explains. “I’m the latter. I certainly don’t expect special treatment. In any case, living in the motorhome gave me ideas for the project I was working on.”

That project was designing the interior of a Mk1 Ford Transit, an event vehicle commissioned by eBay to promote the availability of new and used car parts on its website and which it has dubbed the eBay Lounge.

The former German fire service Transit was registered in 1975 and restored and converted last year by the Envisage Group, based in Coventry. It had worked with Stevens in the past and thought the legendary designer the obvious choice to remodel the van’s interior.

This year marks the Ford Transit’s 60th anniversary, and while eBay might have been tempted to commission an attention-grabbing tribute, instead it has respected the donor vehicle’s original design and specification.

The eBay Lounge is still powered by its original 1.7-litre V4 petrol engine, for example, albeit modified to burn E5 fuel, and has the four-speed gearbox it left the factory with.

The only major change, apart from Stevens’ redesigned event space, has been its conversion from left- to right-hand drive and the addition of a pop-up roof.

“During the early discussions, we agreed it would have no silly 21in wheels or be lowered,” says Stevens. “Instead, we said it must respect the original design and specification and not spoil it with a sad caravan interior.”

On that point, Stevens was able to draw on the experience of his motorhome. “That vehicle showed me what I don’t like in a caravan interior,” he says. So in place of pastel shades and floral fabrics, Stevens has chosen dark wood for the cabinets, a brushed steel sink with a smoked glass cover, a cool-looking counter-top fridge and a tough, uncarpeted floor, all from eBay sellers.

Also from eBay are a Bentley alloy wheel table, passenger and driver seats that can turn 180deg and a pair of ‘old timer’ retro sports seats for use outside.

Stevens’ favourite item is the Classic JLR retro radio sourced from the Jaguar Classic Parts store on eBay. Envisage also went shopping for parts on the website, sourcing everything from Mk1 Transit headlights to drivetrain and suspension components from the official eBay Ford store. Fuel pipes, brake lines and electrical and other parts also came from eBay.

In his spare time, Stevens, 82, still races and enjoys driving his collection of cars, which includes a 2CV van, a Ford Model A roadster pick-up and a 1932 3.2-litre ‘Alexander Special’ hot rod.

He rides shotgun with me as I take the Transit for a few circuits of the track at Bicester Heritage. I’m impressed by his composure as I wrestle with the old commercial’s woolly steering and wand-like gear selector.

After a few laps, I’m getting the hang of it but the mushy brakes can still generate a few surprises. Either there’s nothing in the cabinets or whatever is there is stowed securely, but there are few rattles from the back. 

It’s a pukka job and Stevens is pleased to have his name attached to it: “Whether it’s a supercar or a camper van, I just love designing!” 

Audi Q3 Sportback Unveiled with Sleek Coupe Styling and Powerful Hybrid Options

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Wildly Modified Nissan 350Z With GT 86 Face and Bold Custom Upgrades Hits Auction in Japan

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Lexus ES SportCross Imagined as a Sleek Wagon for the Electric Era

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Inside Audi’s Design Revolution: Frank Lamberty on Innovation, Inspiration, and the Future of Electric Cars

Inside Audi’s Design Revolution: Frank Lamberty on Innovation, Inspiration, and the Future of Electric...

Frank Lamberty
Frank's finest works include the R8 supercar and the all-electric e-tron GT
Frank Lamberty discusses inspiration, design language in the electric age, and Audi's iconic slogan

“A good slogan sells the product. A great slogan becomes part of the language,” so the old saying goes. That sentiment rings especially true for Audi’s iconic three-word mantra: Vorsprung durch Technik.

First uttered into existence back in 1971, the enduring phrase – meaning progress through technology – has evolved to become far more than just a catchy tagline. In essence, it’s a guiding principle that champions technological excellence – and has underpinned more than five decades of next-gen innovation, pulse-raising performance and exquisite design at Audi.

But what does Vorsprung durch Technik mean to those behind the metal? Those at the coalface? Those who make Audi, well, Audi? To find out, Autocar visited the four rings’ headquarters in Ingolstadt, Germany, to pick the brains of some of the brand’s leading designers and engineers.

In this first of four exclusive interviews, we speak with Audi royalty Frank Lamberty – the design extraordinaire behind the Audi R8 and all-electric Audi e-tron GT. Also in the series: aero chief Dr. Moni Islam; lighting expert Christoph Häußinger; and interior designer Ramon Bäurle.

Discover the all-electric Audi e-tron range

Introduce yourself and what you do...

My name is Frank Lamberty and I’m a team leader within the exterior design department at Audi. This means I head a small team of four or five designers who work in competition with other teams to come up with designs for the next generation of Audi cars. It’s a fantastic job.

What’s your personal interpretation of Vorsprung durch Technik?

In my opinion, Vorsprung durch Technik is an attitude. It is a mindset, actually.

More than 60 years ago, Audi [as we know it today] didn’t exist. It was part of Auto Union which was owned by Mercedes-Benz. Then it was bought by Volkswagen in the mid ‘60s who just wanted to use its factories here in Ingolstadt to build the Beetle.

But behind the curtain, a small group of people decided they needed to do something about this, and so they secretly designed a new car. When they showed it to the board, they were so impressed that it was immediately put into production. That car was the Audi 100, and it saved Audi. Not only that, but it was really progressive for the time because it was front-engined and front-wheel drive. 

When we hear this story, it gives a new meaning to Vorsprung durch Technik. It’s about realising when something is not right we have to take action. But it’s about more than that. It’s about really searching for the next level to improve. If there is something which is not going to be successful, we must find a new way, a new solution, a new idea.

Where do you find inspiration for your work?

As designers, we are quite visual people. We look a lot. Not everybody can do this. Some people are more fixated on lists and numbers and figures; I’m walking through the world with my eyes wide open. I’ve always been like that. But it’s about more than just looking – it’s about understanding.

I personally take a lot of inspiration from nature. Animals, for example. Some are cool; some are funny; some are aggressive. But why is that? That’s when you start to analyse their characteristics, and I find many of these are transferable into car design. Ultimately, being a designer is about seeing something, grabbing it and doing something new out of it.

Cutting-edge exterior design has always been a core pillar of Audi’s Vorsprung durch Technik ethos. How would you describe Audi’s design language?

This is a big question! To start, Audi design has always been about reduction. We try to be as clean as possible with our designs, and that all starts with the main architecture of the car. The main body has to be just right. It has to fit. If there’s a mistake in the overall proportions of the car, everything else falls apart.

But this is not easy. The cleaner and more reduced you get, the more perfect everything else has to be. Take the first-generation Audi TT (1998), for example. When you look at this car, it is so reduced, so clean, that if something was wrong with the proportions, even the smallest detail, you would realise immediately. 

Audi is also about being logical. The ‘logic of the lines’ is something I talk about. The creases. The volumes. The shut lines. There needs to be a clear logic and reason to all of them. Look at the e-tron GT (2021). The muscular blisters and creases on the rear haunch are there to symbolise the powerful quattro performance underneath. There’s a logic to them.

And then there’s the combination of form and function. The Audi 100 C3 (1982) is a good example. That car has a really long nose, which makes it incredibly aerodynamic. But it didn’t look sexy or cool, so we found a way to compensate for that and still create our own identity by carving away the corners of the car to create the illusion that everything was pointing towards the grille for this really dynamic look. 

But above all else, Audi design is about emotion. A car has to move you, it has to touch your heart. And this is what we’ve tried to achieve with the new e-tron family. [More on those in a moment].

Which Audi models throughout history stand as milestones in design for you, especially through the lens of Vorsrung durch Technik?

I mean, there are so many amazing cars to choose from. I have to say, looking back, the original TT was the car that actually made me come to Audi in the first place.

I was a student at the time and I remember thinking ‘Wow, how can you design a car like this?’. But it was more than just a car. The reduction. The cleanness. The coolness. The Bauhaus inspiration. To me it was halfway between car design and product design, and this is what really amazed me. It was totally my style and to this day I love it.

But thinking about Vorsprung durch Technik specifically, there have been many milestone cars that have championed innovation. The Audi A2, for example. This car was really, really clever in its design. It had a fantastic footprint: really small on the outside, really big on the inside. It was also incredibly aerodynamic and very lightweight – something we’ve come to appreciate more and more in the electric era.

And then there was the A6 Allroad, a personal favourite of mine. This was in response to the growing demand for SUVs in the premium market, and at the time Audi didn’t have an SUV. So, Audi decided to take its best, most versatile car and combine it with the features that buyers were looking for in SUVs: off-road capability, chunky design and a higher driving position. For me, it’s still one of the greatest cars Audi has ever made and a clear example of Vorsprung durch Technik thinking.

Electric mobility has changed the game for car design. What are the advantages? What are the disadvantages? How is Audi overcoming these?

This is a question we’ve been trying to answer for 15 years, ever since car design began to split between regular combustion cars and electric cars.

At first, we all said ‘Horray!’. The big, lumpy engine was gone and so we thought it would give us more freedom to design exactly how we wanted. But it didn’t turn out quite that way.

But, let’s start with the advantages. First, the added weight of electric cars means big, wide wheels are needed to carry everything, and designers love big wheels. Second, because the batteries are in the middle of the car, it means the wheels can be pushed out to each corner, which means shorter overhangs. Now Audi design has typically been about having long overhangs, but this shift in technical layout has given us some exciting opportunities in the design department, especially when it comes to finding the perfect proportions of a car.

However, there are some challenges. The first and main challenge also stems from the batteries. Having them in the floor means the car naturally wants to sit higher off the road. In SUVs this isn’t much of a problem, but in sports cars like the e-tron GT it’s tricky. But this is another example of Vorsprung durch Technik. The engineers have created a very clever, very expensive type of modular battery that isn’t just a big brick. It can be fitted together in such a way that it allows us to keep the floor of the car very close to the road, and therefore the e-tron GT is one of our most beautiful electric cars.

And then there’s the aerodynamics side of things. Aero is so important for electric cars in order to achieve good efficiency and a longer range, which is why you can see each of our e-tron models are so aero-focused.

What are your design highlights for each of Audi’s all-electric e-tron models?

As I mentioned, the e-tron GT is, for sure, one of our most beautiful electric cars. I remember back when we started designing this car we said we wanted to create a really dynamic, emotional car. It has a nice long wheelbase, a sporty silhouette, a really nice floating roof arc, muscular wheel arches and perfect overall proportions. For me, it’s pure sculpture.

The Q6 e-tron is, to me, the SUV brother of the e-tron GT. It has a really strong, prominent front end, a really wide wheelbase, and a beautiful aerodynamic flow to the bodywork. Round the back, it has the same muscular haunches as on the e-tron GT. Overall, I’m really proud of this car because I think it's one of the most beautiful SUVs.

And finally the A6 e-tron. This is really special for us, because this is the first electric Avant. The overall ethos here is that the A6 has been designed even more smooth than the e-tron GT and the Q6 e-tron because we wanted to show the airflow around the car. One sign of this is the single crease running all the way down the side of the car. 

I also like the fact it has different proportions to a regular combustion engine Avant. It has a shorter nose and a really long, elegant, stretched body with a really sharp roofline. It’s a really fluid car. I love it!

Where do you think Vorsprung durch Technik will take Audi in the future?

It’s interesting. I think Audi is in a transitional period at the moment, and the future isn’t crystal clear in terms of the cars we will be making in years to come. But I know with our Vorsprung durch Technik mentality we will always strive to do things better, improve, try new ways, explore different paths, and this will always lead Audi to success.

Discover the all-electric Audi e-tron range

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Rimac Nevera R Shatters Speed Records as World’s Fastest Electric Hypercar

Rimac Nevera R Shatters Speed Records as World’s Fastest Electric Hypercar

NEVERA R ROAD 6 Hardcore version of Nevera outpaces Bugatti Veyron Supersport and clocks 0-62mph in stunning 1.66sec

The new Rimac Nevera R has officially become the world's fastest electric car, clocking a top speed of 268.2mph.

That means the more hardcore version of Rimac's EV hypercar is also one of the world's fastest production cars of all time - surpassing even the Bugatti Veyron Supersport.

The independently verified top speed was confirmed as part of a final round of validation tests ahead of customer deliveries getting under way - during which, Rimac says, the 2078bhp Nevera R claimed "new world records in 24 categories".

Surpassing "every performance record previously set by the standard Nevera", the R also proved itself the world's fastest-accelerating production car, sprinting from 0-60mph in a dazzling 1.66sec - 0.08sec quicker than the standard car.

The R also achieved a record 0-400-0kmh (0-249-0mph) time of just 25.79sec – just over two seconds quicker than the previous fastest car – and completed a quarter-mile sprint in 7.9sec, a 0.35sec improvement. 

Company founder and CEO Mate Rimac said: “When we first introduced Nevera, it almost seemed like the pinnacle of hypercar performance had been reached. In a single generation, we had created a performance jump that previously would have taken decades. 

"But now, through relentless innovation, Nevera R goes even faster, while still maintaining much of the comfort and practicality that makes the Nevera a real, usable daily car. Breaking records is in our DNA, and we won’t stop here.”

While Rimac remains committed to breaking boundaries for outright performance, it is possible that the company's next car may not be fully electric.

In May last year, Rimac had not yet sold all 150 examples of the standard Nevera, and Mate Rimac suggested that "the narrative" around electric cars had changed, and buyers were becoming "a little bit repulsed" by the "forced application" of EV propulsion.

He said that Nevera development began in 2016 on the assumption that "electric cars would be cool in a few years", but instead appetite for ultra-high-end EVs was waning in favour of more traditional, analogue alternatives.

"An Apple Watch can do everything better. It can do 1000 more things; it's a lot more precise; it can measure your heart rate. But nobody would pay $200,000 for an Apple Watch," he said, adding that Rimac could branch out from EVs in a bid to tap into that demand.

"Rimac isn’t exclusively electric. It’s doing whatever is most exciting at the time,” he said.

The Nevera R's game-changing performance statistics will no doubt play a big part in re-igniting excitement around electric performance cars. However, all-out speed wasn’t the overall goal, said Rimac. Instead, greater focus was placed on making the R a better-handling and more agile proposition than its grand tourer sibling. 

Billed as an electric “hyper sports car”, the R is fitted with next-generation all-wheel torque-vectoring tech, which has been tuned to suit its new Michelin Cup 2 tyres, and a steering rack that has been revised to deliver sharper responses and crisper feedback. 

This is claimed to reduce maximum understeer by 10% and increase maximum lateral grip by 5%. 

A new fixed rear wing, combined with a new large front diffuser, helps to boost maximum downforce by 15% and maximum aerodynamic efficiency by 10%, enabling sharper, faster cornering. 

In line with its extra 190bhp, the Nevera R is fitted with carbon-ceramic EVO2 brakes. As a result of these measures, Rimac says the R “sets a new benchmark” for “driving excitement” on twisting B-roads. 

The R retains the same 120kWh battery as its sibling, which was good for as much as 250 miles in the standard Nevera. The Croatian brand has yet to confirm official range figures for the R. 

Mate Rimac said: “We’re relentlessly tweaking to customers’ desires and many were looking for a car that really emphasised the Nevera’s cornering ability, using all the advanced technology on board. 

“We responded with the Nevera R: all the DNA of the record-breaking Nevera, but lighter, faster and more focused.” 

Launched exclusively in Nebula green, the R costs £1.97 million before personalisations – of which there are hundreds of options – are added. The standard Nevera is priced at £1.72m.