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Thursday, May 23, 2024

A complete list of films competing for Cannes Palme d’Or

The Palme d'Or is the highest prize awarded at the Cannes Film Festival. This year, 24 films are competing at the Cannes Film Festival where US director Spike Lee will be leading the festival's jury.

Here are the 24 films competing for the Palme d’Or as the Cannes Film Festival returns from July 6 to 17, with a jury led by US director Spike Lee.

‘Annette’ by Leos Carax, France

Adam Driver and Marion Cotillard star as a glamorous celebrity couple whose lives are upended by the arrival of their first child.

The first film in a decade from auteur Carax is also the first in English from the eccentric French mind behind arthouse favourites “Holy Motors” and “The Lovers on the Bridge.”

‘The French Dispatch’ by Wes Anderson, US

Film fans can never get enough of Wes Anderson, and his latest quirky bauble can be counted on for more obsessively curated sets and shots, 20th-century nostalgia, family disharmony and Bill Murray.

Plus yet more megastars in Anderson’s menagerie in the form of Timothee Chalamet and Benicio Del Toro, and a set-up — foreign correspondents in France — that is likely to play well with critics at Cannes.

‘Benedetta’ by Paul Verhoeven, Netherlands

From “Robocop” to “Basic Instinct” to “Starship Troopers,” Dutch director Paul Verhoeven has always walked a fine line between gaudy schlock and cinematic genius.

His latest tale recounts a lesbian affair in a 17th-century convent, starring Virginie Efira and Charlotte Rampling.

Read more: BAFTA Awards Reveal Nominations, Cannes Reveals Lineup & Peabody Shakes Up Its Format

‘Flag Day’ by Sean Penn, US

Star actor Penn again steps behind the camera for a film about a conman whose daughter struggles to come to terms with his choice of profession. Penn stars alongside his own daughter Dylan, as well as Josh Brolin.

‘A Hero’ by Asghar Farhadi, Iran

Iran’s lauded director Asghar Farhadi has worked in multiple languages but returns to his homeland for his latest, details of which are scant. He has won awards all over, including Oscars for “A Separation” and “The Salesman”, which also won best screenplay at Cannes.

‘Tout s’est Bien Passe’ (Everything Went Fine) by Francois Ozon, France

Featuring French stars Sophie Marceau and Charlotte Rampling, France’s prolific and eclectic director Francois Ozon tells the story of a woman asked by her father to help him die.

‘Tre Piani’ (Three Floors) by Nanni Moretti, Italy

Exactly 20 years after winning the Palme d’Or with “The Son’s Room” and nine years after heading the main jury at Cannes, Moretti is back with his first-ever adaptation of a novel, which looks at three families who live on three different floors, in three chapters.

‘Titane’ by Julia Ducournau, France

Starring French veteran actor Vincent Lindon, “Titane” is the second feature after “Grave” by horror film specialist Ducournau, which she reportedly wrote in six weeks between two Covid-19 lockdowns.

Read more: Usman Mukhtar to debut at Cannes International Film Festival with ‘Bench’

‘Red Rocket’ by Sean Baker, US

The comedy-drama by indie filmmaker Baker features Simon Rex as an over-the-hill porn star who returns to his hometown in Texas, where he is not very welcome and hopes to build on the success of “The Florida Project”.

‘Petrov’s Flu’ by Kirill Serebrennikov, Russia

An alcohol-fuelled stroll by a cartoonist and his friend in post-Soviet Russia brings back childhood memories that get mixed up with the present. Serebrennikov is unable to attend Cannes due to a criminal conviction, widely seen as punishment for his political views.

‘France’ by Bruno Dumont, France

The gritty director adapts a novel by Charles Peguy, killed in World War I, updating it to chart the fall from grace of a star TV reporter in contemporary France.

‘Nitram’ by Justin Kurzel, Australia

Following a smash-hit adaptation of “Macbeth” starring Michael Fassbender and Marion Cotillard and a less successful adaptation of the video game “Assassin’s Creed”, the Australian director looks at events leading up to the Port Arthur mass shooting in Tasmania that led to gun control reforms.

‘Memoria’ by Apichatpong Weerasethakul, Thailand

Tilda Swinton stars in the slow-burn director’s first film in English. It comes 11 years after he won the Palme d’Or for the dreamlike “Uncle Boonmee Who Can Recall His Past Lives”. Shot in Colombia, “Memoria” follows a Scottish horticulturist as she tries to understand strange sounds in the night.

Read more: Cannes appreciates Bollywood Beauties but not it’s movies

‘Lingui’ by Mahamat-Saleh Haroun, Chad

Set in the outskirts of N’Djamena, “Lingui” tells the story of an adolescent whose unwanted pregnancy puts her in conflict with her country’s traditions and the law. Haroun lives in France, but most of his films have been produced in his birth country of Chad, which he left during unrest in the 1980s.

‘Paris 13th District’ by Jacques Audiard, France

Audiard won the Palme in 2015 for “Dheepan”, but is best-known abroad for “The Prophet” and “Rust and Bone”. His latest is based on three graphic novels by US author Adrian Tomine and set in a mixed neighborhood of Paris. It features four young people who are sometimes friends, sometimes lovers, and sometimes both.

‘The Restless’ by Joachim Lafosse, Belgium

Starring Leila Bekhti and Damien Bonnard, the film tells the story of a couple under stress due to Bonnard’s character suffering from bipolar disorder, and who do their best to protect their child.

‘The Divide’ by Catherine Corsini, France

Two decades after her film “Replay” entered the Cannes competition, Corsini returns with a drama about a couple stuck in a hospital that comes under siege during a violent Paris demonstration inspired by the Yellow Vests movement.

‘The Worst Person in the World’ by Joachim Trier, Norway

A film about love and its complications, Trier’s latest concludes an accidental trilogy of Oslo-based films exploring exclusion and isolation. It tells the story of Julie, turning 30 and looking for answers in a new relationship, only to be let down by reality.

‘Hytti No 6’ (Compartment No 6) by Juho Kuosmanen, Finland

Two strangers  — a Finnish woman and a gloomy Russian — share a train compartment winding its way up to the Arctic circle in a road movie set against the backdrop of the 1980s Soviet Union. Kuosmanen hopes to follow the success of his charming, low-key boxing flick, “The Happiest Day in the Life of Olli Maki”.

Read more: Lady on Fire’s all woman cast a hit at Cannes

‘Casablanca Beats’ by Nabil Ayouch, France-Morocco

Ayouch rocks the suburbs of Casablanca with a film about young people seeking an outlet through hip-hop in an underprivileged neighborhood made infamous in 2003 after a group of radicalized local youth carried out suicide bombings in the city.

‘Ha’Berech’ (Ahed’s Knee) by Nadav Lapid, Israel

After winning prizes in Locarno, Cannes and Berlin for his first three films, Lapid explores two battles waged by an Israeli director, one against the death of freedom and one against the death of a mother, both of which are doomed to failure.

‘Drive My Car’ by Ryusuke Hamaguchi, Japan

An aging, widowed actor looking for a chauffeur ends up hiring a 20-year-old woman. Things go wrong between them at first, but then a special relationship emerges.

‘Bergman Island’ by Mia Hansen-Love, France

An American film-making couple spends a summer on Faro, the windswept Baltic island that inspired Ingmar Bergman. Reality and fiction start to blur as the weeks pass.

Read more: ‘Stop the Attack on Gaza’: Lebanese star protest at Cannes Film Festival 

‘A Felesegem Tortenete’ (The Story of My Wife) by Ildiko Enyedi, Hungary

Featuring France’s Lea Seydoux, who features in three of the films in competition this year, Enyedi’s film kicks of with a bet by a sea captain that he’ll marry the first woman who walks in. It follows Enyedi’s Golden Bear win at Berlin in 2017 for “On Body and Soul”.

AFP with additional input by GVS News Desk